maura sullivan was born in 1971 in hartford, connecticut. she graduated from syracuse university b.f.a. in 1993 and has attended the international school of photography. she currently lives in brooklyn, new york. her work is part of the permanent collection of the museum of fine arts, houston and is widely exhibited in both solo and group exhibitions in new york, connecticut, oregon, washington, texas, the netherlands, poland and turkey. her photographs have been published in shots magazine, antiques weekly, private international review of photographs and text, fotoritim, artist actual, rh+sanart (the art magazine of turkey), fotograf dergisi, hello magazine, the sun and new york magazine.



Born in New York City on July 26, 1966, Sachs grew up in Westport, Connecticut and attended Greens Farms Academy for high school. He attended Bennington College in Vermont. Following graduation, he studied architecture in London before deciding to return to the States, where he spent two years working in Frank Gehry's L.A. furniture shop. It is here that he began using the term knolling.

Sachs moved from L.A. to New York City around 1990 and found a studio in the disappearing machinery district downtown. His studio, Allied Cultural Prosthetics, took its name from the previous tenant -- Allied Machine Exchange -- implying that contemporary culture had become nothing but a prosthetic for real culture[1].

For a few years Sachs worked odd jobs, including lighting displays at Barneys New York. In 1994, he was invited to create a scene for their Christmas displays and titled it Hello Kitty Nativity, in which the Virgin Mary was replaced by Hello Kitty with an open Chanel bra, the three Kings were Bart Simpsons, and the stable was marked by a McDonald's logo. This contemporary revision of the nativity scene received great attention (not all of it positive[2]) and demonstrated Sachs' interest in the phenomena of consumerism, branding, and the cultural fetishization of products.


Yoram Wolberger

 Yoram Wolberger uses childhood toys and everyday domestic items to create his large scale sculptures, foregrounding the latent symbolism and cultural paradigms of these objects that so subtly inform Western culture. By enlarging this ephemera to life size, Wolberger emphasizes the distortions of their original manufacture disallowing any real illusion and conceptually forcing the viewer to reconsider their meanings. When enlarged beyond any possibility of dismissal, we see that toy soldiers create lines between Us and Them, plastic cowboys and Indians marginalize and stereotype the Other, even wedding cake bride and groom figurines dictate our expected gender roles.

Wolberger (born 1963, Tel Aviv, Israel) earned his MFA from the San Francisco Art Institute's (CA) New Genres Department. He has had solo exhibitions in New York


AI WEIWEI 100.000.000 sunflowers porcelain

To Ai Weiwei’s 100 million porcelain sunflower seeds, we hardly knew you… Just a few days after it opened, officials at London’s Tate Modern made the difficult to close the vast installation by Chinese dissident artist Ai Weiwei. The work, simply titled “Sunflower Seeds“, encompassed 100 million sunflower seeds replica made from porcelain, is currently situated at Tate Modern’s Turbine Hall, where are encouraged to walk on the work of art as part of the experience. However, with such vast amount in an enclosed space, officials at Tate Modern begin to notice noxious ceramic dust, which forced the closure. Officials at Tate Modern also insisted that the closure was not due to political pressure from the Chinese government, who sees Ai Weiwei as an instigator and political dissident, but solely out of health concern for its visitors. No words on when the exhibition will open again.